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En explorant une banale histoire de voyeurisme dans les toilettes pour femmes d'un café parisien racontée dans Une Sale histoire de Jean Eustache, Laurent de Surfer découvre une vérité cachée dans les replis des images de cette oeuvre cinématographique énigmatique et mythique. Théorie du trou est la reconstitution minutieuse de ce secret. L'auteur y développe un véritable Discours de la méthode "anti-philosophique", traitant de notre être comme de notre morale, du consensus social auquel nous nous accrochons comme des rêveries esthétiques par lesquelles nous tentons de le sublimer. Rien, dans ce traité philosophique, tout comme dans le film d'Eustache, n'est laissé intact : là où nous voyions du Beau ne reste que le Laid, la où nous pensions voir du Grand, on n'aperçoit que du Petit, et là où nous vouions du Vrai, ne se distinguent que le mensonge et la tromperie. Si les pensées de Laurent de Sutter sont des images (comme les images de jean Eustache sont des pensées), elles ne sont certes pas à notre avantage, mais nous entraînent dans un voyage métaphysique fascinant et glaçant
Metaphysics --- Voyeurism --- Obscenity (Aesthetics) --- Philosophy --- Eustache, Jean, - 1938-1981
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"This comprehensive analysis of obscenity in British culture explores what is considered obscene, who gets to decide, and how class, race and gender inform laws regarding adult content. The author describes how obscenity laws disproportionately affect the BDSM subculture, the LGBT community and feminist porn performers"--
Obscenity (Law) --- Censorship --- Pornography --- Obscenity (Aesthetics) --- Law and legislation
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"At the Limit of the Obscene: German Realism and the Disgrace of Matter examines the fear of materiality in German-language realist and postrealist literature"--
German literature --- German literature --- Realism in literature --- Obscenity (Aesthetics) --- History and criticism --- History and criticism
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152.4 --- Philosophy & psychology Emotions and feelings --- Obscenity (Aesthetics) --- Emotions (Philosophy) --- Pornography - Philosophy --- Philosophy, French - 21st century --- Philosophers - France - Interviews --- Philosophical anthropology --- Pornography --- Philosophy, French --- Philosophers --- Emotions. --- Emotions
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Linguistics --- Words, Obscene. --- Humor. --- Obscenities (Words) --- Words, Obscene --- Obscenity (Aesthetics) --- Word (Linguistics) --- Slang --- Linguistic science --- Science of language --- Language and languages
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Any behavior that arouses, as swearing does, controversy, disagreement, disdain, shock, and indignation as often as it imbues passion, sincerity, intimacy, solidarity, and jocularity should be an obvious target of in-depth scholarship. Rigorous, scholarly investigation of the practice of swearing acknowledges its social and cultural significance, and allows us to discover and better understand the historical, psychological, sociological, and linguistic aspects (among others) of swearwords and swearword usage. The present volume brings together a range of themes and issues central to the existing knowledge of swearing and considers these in two key 'new' arenas, that is, in languages other than English, and/or in contexts and media other than spoken interaction. Many of the chapters analysed are based on large and robust collections of data, such as corpora or questionnaire responses, which allow for patterns of swearing to emerge. In other chapters, personally observed instances of swearing comprise the focus, allowing for a close analysis of the relationship between sociolinguistic context and pragmatic function. In each chapter, the cultural aspects of swearing are considered, ultimately affirming the importance of the study of swearing, and further establishing the legitimacy of swearing as a target of research.
Obscene words --- Obscenities (Words) --- Words, Obscene --- Obscenity (Aesthetics) --- Word (Linguistics) --- Slang --- Social aspects --- Research. --- Psychological aspects --- Lexicology. Semantics --- Pragmatics --- Language and culture --- Languages, Modern --- Psycholinguistics. --- Sociolinguistics. --- Swearing
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Outre l’allusion au plus connu des sites de pornographie en ligne, WE PORN évoque un fait : qu’on veuille le(sa)voir ou pas, la pornographie galopante du monde, ça nous regarde désormais toutes et tous. Plusieurs œuvres d’artistes contemporains présentées ici interrogent le pouvoir de fascination, les notions d’obscénité, d’interdit, de transgression et brouillent les frontières entre le montré et le caché. Plus qu’un catalogue de l’exposition du même nom, cet ouvrage collectif propose sur la question des pornographies des outils d’analyse, de réflexion et critique non-moralisante issus du monde du cinéma, de la sociologie, de la philosophie, des arts, de la psychologie, de la psychanalyse et de la pédagogie. Ce qui semble caractériser notre époque, c’est l’exhibition de l’intime et du sexuel. Mais quelle est l’influence des images pornographiques sur nos identités ? Comment accompagner la diffusion de ces images pornographiques pour éviter la confusion entre constructionet réalité chez les plus jeunes ? Faut-il faire le deuil de la pornographie comme expression cinématographique ? Que sont les nouveaux territoires sexuels tels que chatroulette ? et qu’est-ce que l’obscénité finalement ? enquoi est-il plus immoral de montrer des actes sexuels plutôt que des meurtres ? Parler du x semble encore tropinconvenant et inapproprié pour le champ de l’éducation sexuelle et de l’éducation aux médias. Pourtant un encadrement pédagogique s’avère nécessaire pour susciter la réflexion critique et comprendre en quoi la porno-graphie opère comme un catalyseur des logiques sociales, politiques, culturelles et sexuelles contemporaines.
Pornographie --- Obscénité --- Dans l'art --- Pornography --- Obscenity (Aesthetics) --- Pornography in popular culture --- Sex in mass media --- Erotic art --- Generation Y. --- Social aspects
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French literature --- European literature --- Printing --- Obscenity (Aesthetics) --- Imprimerie --- Obscénité. --- Obscénité --- Littérature française --- Littérature de la Renaissance --- Littérature européenne --- History and criticism --- History an criticism --- Political aspects --- Aspect politique.
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The life-like depiction of the body became a central interest and defining characteristic of the European Early Modern period that coincided with the establishment of which images of the body were to be considered 'decent' and representable, and which disapproved, censored, or prohibited. Simultaneously, artists and the public became increasingly interested in the depiction of specific body parts or excretions. This book explores the concept of indecency and its relation to the human body across drawings, prints, paintings, sculptures, and texts. The ten essays investigate questions raised by such objects about practices and social norms regarding the body, and they look at the particular function of those artworks within this discourse.
Art, European. --- Human beings in art. --- Obscenity (Aesthetics). --- ART / History / Renaissance. --- Aesthetics --- Humans in art --- Art, Modern --- European art --- Nouveaux réalistes (Group of artists) --- Zaj (Group of artists) --- Decorum, Body History, Sex, Ugliness, Beauty. --- Human beings in art --- Art, European --- Obscenity (Aesthetics)
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Russische taal --- Scheldwoorden --- scheldwoorden --- Scheldwoorden. --- scheldwoorden. --- Blessing and cursing --- Invective --- Language and culture --- Swearing --- Words, Obscene --- Obscenities (Words) --- Obscenity (Aesthetics) --- Word (Linguistics) --- Slang --- Profanity --- Cant --- Culture and language --- Culture --- Abuse, Verbal --- Insults --- Insults, Verbal --- Verbal abuse --- Vituperation --- Satire --- Cursing and blessing --- Execration --- Imprecation --- Malediction --- Incantations --- Language and languages
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